Ebook Prodigal Summer, by Barbara Kingsolver
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Prodigal Summer, by Barbara Kingsolver
Ebook Prodigal Summer, by Barbara Kingsolver
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Amazon.com Review
There is no one in contemporary literature quite like Barbara Kingsolver. Her dialogue sparkles with sassy wit and earthy poetry; her descriptions are rooted in daily life but are also on familiar terms with the eternal. With Prodigal Summer, she returns from the Congo to a "wrinkle on the map that lies between farms and wildness." And there, in an isolated pocket of southern Appalachia, she recounts not one but three intricate stories. Exuberant, lush, riotous--the summer of the novel is "the season of extravagant procreation" in which bullfrogs carelessly lay their jellied masses of eggs in the grass, "apparently confident that their tadpoles would be able to swim through the lawn like little sperms," and in which a woman may learn to "tell time with her skin." It is also the summer in which a family of coyotes moves into the mountains above Zebulon Valley: The ghost of a creature long extinct was coming in on silent footprints, returning to the place it had once held in the complex anatomy of this forest like a beating heart returned to its body. This is what she believed she would see, if she watched, at this magical juncture: a restoration. The "she" is Deanna Wolfe, a wildlife biologist observing the coyotes from her isolated aerie--isolated, that is, until the arrival of a young hunter who makes her even more aware of the truth that humans are only an infinitesimal portion in the ecological balance. This truth forms the axis around which the other two narratives revolve: the story of a city girl, entomologist, and new widow and her efforts to find a place for herself; and the story of Garnett Walker and Nannie Rawley, who seem bent on thrashing out the countless intimate lessons of biology as only an irascible traditional farmer and a devotee of organic agriculture can. As Nannie lectures Garnett, "Everything alive is connected to every other by fine, invisible threads. Things you don't see can help you plenty, and things you try to control will often rear back and bite you, and that's the moral of the story." Structurally, that gossamer web is the story: images, phrases, and events link the narratives, and these echoes are rarely obvious, always serendipitous. Kingsolver is one of those authors for whom the terrifying elegance of nature is both aesthetic wonder and source of a fierce and abiding moral vision. She may have inherited Thoreau's mantle, but she piles up riches of her own making, blending her extravagant narrative gift with benevolent concise humor. She treads the line between the sentimental and the glorious like nobody else in American literature. --Kelly Flynn
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From Publishers Weekly
HA beguiling departure for Kingsolver, who generally tackles social themes with trenchantly serious messages, this sentimental but honest novel exhibits a talent for fiction lighter in mood and tone than The Poisonwood Bible and her previous works. There is also a new emphasis on the natural world, described in sensuous language and precise detail. But Kingsolver continues to take on timely issues, here focusing on the ecological damage caused by herbicides, ethical questions about raising tobacco, and the endangered condition of subsistence farming. A corner of southern Appalachia serves as the setting for the stories of three intertwined lives, and alternating chapters with recurring names signal which of the three protagonists is taking center stage. Each character suffers because his or her way of looking at the world seems incompatible with that of loved ones. In the chapters called "Predator," forest ranger Deanna Wolfe is a 40-plus wildlife biologist and staunch defender of coyotes, which have recently extended their range into Appalachia. Wyoming rancher Eddie Bondo also invades her territory, on a bounty hunt to kill the same nest of coyotes that Deanna is protecting. Their passionate but seemingly ill-fated affair takes place in summertime and mirrors "the eroticism of fecund woods" and "the season of extravagant procreation." Meanwhile, in the chapters called "Moth Love," newly married entomologist Lusa Maluf Landowski is left a widow on her husband's farm with five envious sisters-in-law, crushing debtsDand a desperate and brilliant idea. Crusty old farmer Garnett Walker ("Old Chestnuts") learns to respect his archenemy, who crusades for organic farming and opposes Garnett's use of pesticides. If Kingsolver is sometimes too blatant in creating diametrically opposed characters and paradoxical inconsistencies, readers will be seduced by her effortless prose, her subtle use of Appalachian patois. They'll also respond to the sympathy with which she reflects the difficult lives of people struggling on the hard edge of poverty while tied intimately to the natural world and engaged an elemental search for dignity and human connection. (Nov.) Copyright 2000 Reed Business Information, Inc.
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Product details
Hardcover: 464 pages
Publisher: HarperCollins; 1st edition (October 17, 2000)
Language: English
ISBN-10: 0060199652
ISBN-13: 978-0060199654
Product Dimensions:
6.1 x 1.4 x 9.1 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
824 customer reviews
Amazon Best Sellers Rank:
#92,060 in Books (See Top 100 in Books)
In Prodigal Summer, Barbara Kingsolver masterfully delivers three narratives which begin in late spring, wind through the burgeoning summer of an Appalachian mountain and valley, and come together as autumn raises its cooler head. Deanna is a 38-year-old, divorced, childless forest warden who has come to love being alone in her woods near the top of the mountain that overlooks Zebulon Valley; she is determined to stay that way until a stranger comes along with the buds of May. Lusa, a "foreigner" of Polish descent from Lexington (Kentucky or Virginia), left her university post to marry Cole Widener, a farmer in the Valley whose land no longer supports them. When Lusa the bride becomes Lusa the young widow, she has to figure out whether she wants to stay among these people and how to make a living farming in a valley where the last successful crop was tobacco. Septuagenerians Nannie Rawley and Garnett Walker are next-door neighbors who hold exactly opposite views of life; every day brings another battle at the fence that separates their land. These stories keep time with the riotous summer; they teach that life will be created and will continue in spite of the odds. At times, Kingsolver gets a little didactic--as these people of the Valley would say, "preachy-teachy"--having her characters deliver lectures or engage in arguments about the environment, the ecosystem, and the food chain. There are also more subtle lessons, though: farmers who can't compete in the food market, stay in debt, and end up driving delivery trucks or working at the new auto plant far away. But life keeps going. It simply has to. At least these people have each other. About Kingsolver's prose: When I began to look back over the book to find a good example, I started reading the book all over again; it's that good. I would like to offer this one passage (it's not a spoiler): "When the rain and thunder died and the wind had gone quiet, coyotes began to howl from the ridge top. With voices that rose and broke and trembled with clean, astonished joy, they raised up their long blue harmony against the dark sky. Not a single voice in the darkness, but two: a mated pair in the new world, having the last laugh." You can read the rest of the good stuff for yourself.
“Prodigal Summer†showcases some of Barbara Kingsolver’s loveliest descriptive prose but is hampered by too many characters preaching their gospel of environmentalism. I love the social conscience exhibited in all of Kingsolver’s work but having not just one but three characters driving home her message of environmental responsibility stole some of the magic from her solid storytelling.The novel unfolds through alternating chapters about three characters living on the land in rural Appalachia. Deanna is a park ranger with a passion for nature living alone on a mountain until a hunter who might as well be called Fantasy Man shows up. Lusa is a young woman adjusting to widowhood and her in-laws while struggling to find an earth-friendly way to make her farm solvent. Garnett Walker is an “old fart†with little patience for the independence and organic methods of his neighbor even while he struggles to revive the American chestnut trees on his own property. Each chapter deftly advances these three stories and ends in cliffhangers that made me want to read on. Ultimately, the author reveals how all the characters are connected.Throughout, Kingsolver offers lush descriptions of the beauty and fecundity of nature in summertime while her characters deal with the human desires unleashed by the season. Her prose is superb. After a hard rain, the dripping leaves of the forest echo with a “sibilant percussion.†A blacksnake "oozed" down the wall of a log cabin “in an undulating flow like a line of molasses spilling over the edge of a pitcher.†The plotting and pace are excellent and I laughed out loud quite a few times at funny observations or situations. My only problem is that too many characters descend into long-winded lectures on the necessity for humans to adopt more earth-friendly environmental practices. A lighter touch would have conveyed that important message more effectively and made this a sleeker, superior 5 star book.
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