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Download Ebook , by Tasha Fierce

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, by Tasha Fierce

Download Ebook , by Tasha Fierce

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Product details

File Size: 1761 KB

Print Length: 392 pages

Page Numbers Source ISBN: 1844676889

Publisher: Verso (July 1, 2011)

Publication Date: July 1, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B005IXUDQU

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Amazon Best Sellers Rank:

#248,654 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a piece that must have been gestating in the collective consciousness for many years. I have long been interested in the sociological foundations and implications of the punk rock movement and this book covers that terrain with enthusiasm and vigor. Well done and highly recommended!

At the age of 56 ad having lived in Greenwich Village and Ireland during the Punk era, I believe that the essence of Punk was very specific. It was an expression of the extreme frustration of lower class white (mostly) men who had little hope for their future and access to a lot of drugs and sex in a pre-AIDS world. It was also the then current form of teenage/20-something angst - a phenomenon that is as old as time. It also resulted in some great music - "I Don't Like Mondays" and "Rat Trap" being my personal favorites since I was a Boomtown Rats fan from the time they cut their first single. I was in Greenwich Village when CBGBs opened and I was at the Boomtown Rats concert in Dun Laoghaire during the first outdoor concert in Irish history. In my eyes, the lasting legacy of Punk is not a group of people who don't have a focus - it is Bob Geldof who mobilized a movement to help the world. The Occupy "movement" accomplished little of moment (I consider "Occupy" it in the past tense and am glad that we now actually have a "movement" in the old sense of the word where people march and take action instead of talking about elusive theories that have nothing to do with any life experience or practical change).Sorry for the diatribe but I become frustrated when I hear theories about history that I have actually lived through. What every 20 something generation has in common is that they know everything and don't realize that their elders actually may know something too.Enough said - carry on

This book is an insulting, condescending fantasy-driven response to those of us who lived and created the LA punk lifestyle. Traber's off-the-wall totally-out-of-touch-with-LA-punk rant is not based on any actual interviews or archival material other than ONE source.--I was shocked reading his 'essay' which is a CLASSIC! A classic? How can one man be the authority when he woefully closed his eyes to realities easily refuted by so many other sources, esp photos and fanzines which contradict most everything he states. He cherry-picked his quotes and thesis based on a ONE movie with a very specific, very narrow POV.--The way he describes the punks at the Canterbury made me nauseous. MANY of them went onto very productive, accomplished creative lives and careers. They were far from "spoiled brats." Many were abused, neglected, confused, some mentally ill and most using drugs/booze (to self-medicate) who had NOWHERE else to go. Or were exploring their lives between high school and either college, trade school, work, marriage, raising a family.--I was shocked when I first saw Penelope Spheeris' Decline. I'm in it and some of my most famous, iconic photos of X taken during her filming of that segment. Her film, although true from HER POV, didn't reflect my vast photo archive and personal experiences the previous four yrs, living and documenting the punk lifestyle, genre and scene. There's so much available refuting his feeble, wordy and obtuse essay. Read Slash Magazine and go from there! SHE had access to all the issues but chose to focus on the dark side.--Those of us who created it, starting around 1976 and by spring/summer 1977, have a vastly different take on what, why and how LA Punk developed. I am SO tired of hearing we were racists or excluded the Other. Our doors were open. Many, many Latinos/Latinas involved, many Jews, many gay young men and women. WE were the Other. he goes on and about the Other. Wassup with that? WE were the rejected ones or rejected following the path society expects from us. At least for awhile, while we explored other CREATIVE options.--Plus none of us embraced poverty. He went on and on about that. Tell me how we were supposed to make money when writing, photographing, performing and looking like we did and kept the hours we did. Plus many did work, at record stories, for bands, record companies, temp jobs and a wide variety of other jobs (some in the sex trade). He TOTALLY missed the point of living at the Canterbury. I was amazed no mention of the Masque.--He's made a whole career by projecting HIS fantasies on the scene. Shame on him. Shame on the editors who included more of this tripe. Apparently, not many of the contributors were actually involved in punk back in the day and don't know how to research real facts. Oh well, people only see what THEY want to see. URGH!

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